Thursday , January 28 2021

Drawn from the war culture



Fresh from the press came the third volume, "I, René Tardi, a prisoner of war in Stalag IIB", as Anette Gehrig, director of the Cartoonmuseum Basel, was on the Vernissagen. It is the latest work of Frenchman Jacques Tardi, to whom the new monotemical exhibition is dedicated in the beautiful old house of the St Albanian suburbs.

After Ulli Lust in the summer, after Christoph Niemann last year, this is once again an outstanding comic artist, one of the great with a corresponding reputation that Gehrig can present. Tardi – He likes to leave the first name – is a driven. One who lives for drawing. "I, René Tardi, warrior in Stalag IIB" is already the 50th band within 45 years that has arisen from him. The newly printed third part of the series ends his most personal work so far: the explanation of what his father René experienced as a prisoner of war during World War II.

Chronologically structured

How Tardi junior found this pretty intimate subject, based on his father's memorial notes, appears in the Cartoon Museum, which is chronologically structured from the ground floor to the second floor. If you look at them in the room, you notice two things: Tardi's strong fortress in the past and his preference for black and white.

Born in 1946 in Valances, in southern France, he graduated from the art schools in Lyon and Paris with "Le démon des glaces" in 1974. Two years later, the first part of the "Advent Blanco Secrets" was published. Tardi had come up with a strange adventurer with frills that had strange stories in Paris in the turn of the century. So far, nine parts have taken place. "Adèle" was his breakthrough.

The second figure, inevitably associated with the name Tardi, is Nestor Burma. The smoke smoke private detective in a smart suit was not invented by him, but by the author Léo Malet (1909-1996). Tardi's advantage is to immediately visualize this Nestor Burma.

Ligne claire, the stylistic device that had influenced the Belgian hero with its "Tintin" stories, can also be found at Tardi, something modified. The accuracy of the background, the precision of the tactics when drawing cars, trains, objects as well. Even some of the characters shown in the stories about Adèle and Nestor may well have come from Hergé's pen.

And not. While Hergé was a racist, anti-Semitic and anything but a left – Claude Cueni worked amazing in his new novel – Tardi is a special war opponent, one who is always interested in the little ones. which, for example, believe in the ideals of parity communion. So the form may be similar, the stories are very different, maybe a little bulky, also a little amazing, but more intellectual at Tardi than the world famous Belgian.

Little by little, World War I with him on the subject. The trenches, the big beastly butchery on the front – they begin to make way for themselves beside the typical street pieces of Paris in Belle Époque or Paris in the various arrondissements.

Tardi attributes this to the fact that his grandmother began to tell him what his grandfather had been through 1914-1918. The album "Grave War", "1993" or "Miserable War" ("Putain de guerre!", 2008) is mentioned here as an example. In the exhibition you can see some of the original pages from these volumes.

Swelling bowel

Objectivity, the hard naturalism, has spelled out the amazing of the Adele stories or the playful threats of the Nestor Burma stories. Now it's awful things like bowel swelling out of the body or bullets chasing through the skull.

If you look at the exhibition, you can not avoid thinking about what constitutes the cartoonist. Is he a narrator? Yes, definitely. But where is he most likely to go? To the author? To the performer? To the filmmaker?

The widescreen panels appear in the newly printed book that Anette Gehrigin had in his hands. Cinemascope-style pictures. The proximity to the cinema is obvious. But Tardi is also one who puts the word, which does not depend on one's power in the picture.

If you want to name a weakness in him, it's probably his color. He is apparently a champion in black and white.

Until March 24, 2019, www.cartoonmuseum.ch (Editors Tamedia)

Created: 11.11.2018, 18:56 clock


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