The selection of themes made several exceptions to some of their greatest classics. He was kind and relaxed even when a fan pulled him and almost made him fall, but we have better shows to develop.
The door opens at the end of the concert at Monticello Arena and the first thing you see is a Burger King sign as if it was a joke against Morrissey and his litany against the meat that this time urged him to send a letter to Junaeb, who proposed changes to the school menu. This is the 59-year-old British star who is aware of what is happening in the world. His latest album and motive for this tour, the low tune in the upper secondary school (2017), expresses sympathy for Israel who recommended to stop watching the news, a kind of echo to the Trump administration's disgusting monster on the press.
Before this world, which observes suspiciously, criticizing migration policy in Europe, for an hour and a half, he offers a refuge in nostalgia that commends the class the popular culture he had been passionate since childhood in newspapers, radios, cinemas and a reduced television offer. Morrissey, indisputable star, one of the best crooners in the history of rock, caregiver of the old concept of melodic singer with panache and domination, is also a fan who learned the songs of the songs in memory and is knowledgeable about the actors name and the actor of the year asking for the. When he, during a break, wrote the captions as the crowd passed the stage edge, the audience applauded the gesture of who knows what it feels to be on the other side completely enraptured before the idol. It was a trait of empathy in an eccentric and charismatic character that spiced up its musical quality with a sense of spectacle that reflects a lustful character as a divisive of Hollywood's golden age.
This situation of memories and tribute to the past as Morrissey raises among many pictures of the stars in the last half of the year where it fits Peter Falk, Joey and Dee Dee Ramone and James Dean, the decoration of shields drawn with neonkanton crowning the scene suggests that the taste of brotherhood and the tradition that Morrissey sends with more insistence when he grows older. He put a picture of the disturbances in Paris on the giant screen as a link to the readiness, but the rest was the review of the past, which does not differ greatly from the lulling and envicing experience of the groups of old images in social networks.
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The band that accompanies him made the usual, impeccable and indestructible, performs a muscular and talented rock with moments of dramatically electrified intensity that gong and bombo end. How soon is it now? by The Smiths with the image of a smiling Bruce Lee naked torso. Morrissey told enthusiastically that US radio stations played their last single, a cover on The Pretenders & Backed on the chain, illustrated with a photo of a very young Chrissie Hynde. In another moment he responded to a "I love you!" Released by a man from the audience responded to Spanish. "Why? Why?" Raises the chin between defiant and incredulous.
Against the time of music, the concert had a decline marked by lesser known songs and a few choices from the lazy last album. Although Morrissey was strong and his musician showed the usual consistency as a bunch that knows exactly what the manager's plans are and how to perform them perfectly, it was far from becoming his best show in Chile. The public was actually upset when it appeared in the incorporation that included. Every day is like Sunday and the First time to die with an Argentine flag a few seconds later. The selection of themes made several exceptions to some of their greatest classics. He was kind and relaxed even when a fan pulled him and almost made him fall, but we have better shows to develop.